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Bipasha Hot In Jodi Breakers Movie

Gali Gali Chor Hai WideScreen Wallpapers | Featuring Akshaye Khanna | Shriya Saran | Mugdha Godse | Veena Malik

Watch: Voh Dekhnay Mein Song | Cute Song of its Type Sung by Ali Zafar from film London Paris New York

Watch this cute romantic song of its own type. Music composed and sung by Ali Zafar . This song is full of happiness and sweet feelings shared by the boy and girl.

Hrithik Roshan Working Out for Krissh 2

Hrithik Roshan is multitasking -- he is not only promoting his forthcoming release "Agneepath", but also working on his fitness for his role in his father's production venture "Krrish 2".

"Krrish 2" is the sequel to 2006 superhero film "Krrish", directed and written by Hrithik's father, Rakesh Roshan. The cast and crew of the film have already wrapped up the first schedule.


"I am very happy because the script is very, very good and papa is very happy for the first schedule because it has gone very well. It was difficult but we managed," said Hrithik whose journey with supernatural thrillers began with "Koi... Mil Gaya" in 2003.


Meanwhile, Hrithik's fans are eagerly awaiting "Agneepath", which releases Jan 26. He plays Vijay Dinanath Chauhan, a role essayed by the legendary Amitabh Bachchan in the 1990 originalthat won him national award for his power-packed performance.


"Krrish 2" is expected to hit theatres by the end of 2012. It also features Priyanka Chopra, Vivek Oberoi, Kangana Ranaut and Riya Sen.

   [ Mid-Day.com ]

Watch Groovy Party Song: Pee Pa Pee Pa Ho Gaya | Sung by Diljit Dosanjh from the film Tere Naal Love Ho Gaya

Pee Pa Pee Pa Ho Gaya, Groovy Party song from the upcoming film Tere Naal Love Ho Gaya is out now. 

Song is sung by Diljit Dosanjh & Priya Panchal. Movie stars Riteish Deshmukh & Genelia D'souza. Catch this amazing song and enjoy!!!


Credits for this song are as follows
Singer(s): Diljit Dosanjh & Priya Panchal
Music Director: Sachin Jigar
Lyrics Writer: Mayur Puri

Sonia-Agarwal-Hot-Photo-Shoot

AGNEEPATH Movie Review + Details | Starring Hrithik Roshan | Priyanka Chopra | Sanjay Dutt | Rishi Kapoor

 

STARRING: Hrithik Roshan, Priyanka Chopra, Sanjay Dutt & Rishi Kapoor

PRODUCER: Karan Johar

DIRECTOR: Karan Malhotra

Amongst the first recall values for the original Agneepath is Amitabh Bachchan's trademark self-introduction dialogue of Vijay Dinanath Chauhan. While evaluating its official remake, the first thing that crosses your mind is how the reinterpretation of this signature scene would be. Unlike in the original, the monologue plays pretty late in the remake, whereby it establishes Vijay's identity over merely introducing him and with such individuality and elegance that it pays a perfect homage to the original, while at the same time not blatantly imitating it. That is how a remake is supposed to be! Retaining the spirit of the original and having a soul of its own. This dialogue kinda summarizes the overall aura of the remake.



The basic backdrop remains the same. Kancha Cheena (Sanjay Dutt) is the uncrowned king of Mandwa Island and terminates the rebellious village schoolmaster. The master's son swears revenge and grows up to be Vijay Dinanath Chauhan (Hrithik Roshan) under the wings of Rauf Lala (Rishi Kapoor). Lala who trades in human and drug trafficking, rules the Mumbai underbelly. Vijay uses Lala to reach Kancha and thereby reclaim his island and self-esteem.


While the primary plotline remains the same as Mukul Anand's classic, director Karan Malhotra along with co-writer Ila Bedi Datta refreshingly revamps the screenplay giving it a new structure and approach. So you never miss the omission of Mithun Chakravarthy's award-winning Krishnan Iyer from the original and welcome the induction of Rishi Kapoor's foul-mouthed and despicable kasai character. If at all the film falls into predictable zone, it's not because you are familiar with the original but because at the core of it, the story remains a basic revenge drama. The film employs the age-old conflict of a reformist school-teacher versus the conniving zamindar, duping the villagers of their lands.


The remake isn't essentially remodeled to modern times because the film retains its original era thereby reviving the raw essence of the 1990 film. And beyond the epoch, Malhotra also imparts the cinematic treatment of that time period to his film. So both the villain and hero have stylized entries, their confrontations boast of high-voltage drama and, in the climax, when the bruised and battered protagonist rises to take revenge (in exactly the same manner like his father was killed), he wins instant applause. Also the idea of Vijay concealing his identity from his teenaged sister is so intrinsic of the era.


Where the new Agneepath raises the bar is by casting Sanjay Dutt as the baddie. In his black-attire and bald-look, Dutt has such solid screen-presence that the director makes things difficult for himself with a challenge of how would Hrithik's hero overpower the villain. Thereby the film employs some extreme action, which is more brutal than boisterous, to justify Kancha's imposing persona and the subsequent seethe in Vijay's revenge. Thankfully, what puts Agneepath a notch above the recent mindless actioners is that it has a basic human connect which it reasonably balances with the extreme action and never blatantly exploits any emotion.

Beyond his hold on the subject, Karan Malhotra succeeds in extracting inspiring performances from the impressive cast. The usually suave Hrithik Roshan convincingly glides into his coarse character here and has a towering presence. He completely redefines Vijay Dinanath Chauhan and never in his act do you see even a glimpse of the original. Sanjay Dutt reeks of menace and malice through his sadistic laughs. At times he overdoes his guffaws but therein lays his strength, which he uses to the hilt. Rishi Kapoor has never looked or played so mean onscreen before. As the kohl-eyed Rauf Lala, the affable actor reinvents his screen image with a beastly streak to his character. So good is the actor that you never get enough of him. Arish Bhiwandiwala as the young Vijay Chauhan puts in a confident act. Priyanka Chopra, Zarina and Om Puri are functional.


Sanjay Dutt - don’t go by his recent quotes comparing his laugh to the Joker(!). Just go watch him. He probably kept Mission Kashmir in mind while shooting this. That one became a Hrithik Roshan film. This one is also a Sanjay Dutt film – easily among his best recent performances.


The other stalwart is the ever-dependable Rishi Kapoor - completely despicable and thoroughly enjoyable through the film. And yes, he wears lots of surma around the eyes. So completely old-world Bollywood.
Priyanka Chopra hangs in there as Kaali, but hers isn’t the role that you remember, simply because there’s not much to it.

Piyush Mishra's dialogues are impressive with rhetoric punches every now and then. And even when the lines go unrefined for Rishi Kapoor's crude character, it leaves immense impact without crossing the familial domain. Cinematography by Ravi K Chandran and Kiran Deohans is remarkable. Akiv Ali's editing is accomplished and despite the film having a three-hour runtime, you never lose the narrative for a moment. The only slacker is the obligatory romance track (Priyanka Chopra) but thankfully even that is kept short.

The music and background score by Ajay-Atul blend with the screenplay – it’s loud and boisterous and adds to the earthiness of the film. Yes – I am coming to Chikni Chameli. Katrina Kaif adds to the tempo, which incidentally picks up again with this song, as if on cue. Saw lots of happy faces in the audience around me. They loved it.




What’s Mumbai without Ganpati Bappa – Deva shree Ganesha is fabulously picturised and sung by Ajay Gogavale. I loved Gun gun guna when I heard it, thoroughly enjoyed it in the film as well.


Now for the few missteps in the film; the pace falters in both the first and second half despite the action. It doesn’t escape the usual Hindi film fail – it’s too long. A pointless song, a few extra flashbacks spoil a hardcore Bollywood masala flick.


With Bollywood being obsessed with remakes in recent times, Agneepath is an important lesson on how to pay proper tribute to the original. Despite the original being his home production, Karan Johar attempts playing with fire (treading uncharted territory) with Agneepath and emerges victorious. Agneepath has the fire for a lustrous entertainer!

Movie Ratings : 4 stars OUT of 5.